Hi Everyone! I’m taking a little break from the shop this week to pursue my other passion: archaeology! I’m participating in a dig of an 18th century homestead site on the banks of the Damariscotta River.
A lot of people think of Indiana Jones when they think of archaeology. While Indy can be just a wee bit careless at times (destroying entire ancient temples), and seems to have a slight disregard for the archaeological method (Where’s your trowel, Indy?), one cannot deny that he’s a very dashing figure. I think it’s the fedora, and I may have to knit myself one sometime soon. There’s a great pattern by Kristi Holaas on Ravelry, and Cascade 220 would be perfect.
I don’t expect any Nazis, golden idols or crystal skulls on this dig, but you never know. Maybe I should pack a bullwhip and revolver, just in case. See you next week!
Today, I fell in love all over again. It wasn’t love at first sight, because I vaguely remember glancing at it a few months ago during our rep meeting, and we’ve had it in the shop for an entire month. But sometimes the best loves are the ones where you discover that in fact, they’ve been there all along. That is the case for me with the new pattern book from Berroco, their beautiful Portfolio Vol. 2. This latest offering from the Berroco Design Team is so, so beautiful, and it uses yarns from the Vintage and Ultra Alpaca families.
Have you heard of the Rule of Three when it comes to patterns? If you like three or more patterns in a pattern booklet, it’s a worthwhile investment. Three is the magic number, but this book has nine patterns — nine! — that make me want to cast on immediately. The thing that really sealed the deal was that one of these patterns was already on my to-knit list, I just hadn’t realized that Portfolio Vol. 2 was the source. Obviously, it was meant to be. Let me show you some of my favorites:
The Teeter Totter Shawl by Julia Farwell-Clay is a fun riot of color. Knit in Ultra Alpaca Fine, it will keep me warm despite arctic air conditioning, but it won’t ever be too heavy. I’ve been wanting to dabble in intarsia, and the color options are endless (though I do love the contrast between warm and cool color families).
I don’t think I can choose between the two yarns. I think I’ll have to knit both. Berroco really knocked it out of the park with their Portfolio Vol. 2. Stop by the store to check it out — it’s really stunning.
A ball of yarn is one very long piece of string with two ends. One inside, buried down deep in the middle, and one wrapped around the outside. You can start using the yarn from either end, pulling from either the inside or the outside. I know it’s going to come as a shock to you, but I have opinions about this.
You may have heard me say it, or you may have learned it elsewhere, but for those of you who don’t know, yarn is only held together by the twist. If it were not twisted, it would be just roving and would fall apart with even gentle tugging. The way a quantity of yarn is lumped together is called the put up. Go here for a great graphic that explains more about put up. Every time you change the put up, depending on which way you wind it, you either add or subtract twist. Going from the reeling machines into cones at the factory, going from cones to hanks in the warehouse, or going from hank to ball in the shop or at home, adds or subtracts twist. And so does knitting or crocheting.
I have a really hard time working with single ply yarn because wrapping the yarn around my needle or hook in a counter clockwise motion, as is customary here in the western world, takes away the twist and makes my yarn begin to fall apart. Working from the outside end of a ball of yarn will add twist if the yarn comes off in a counter clockwise motion, and add twist if the yarn comes off the ball in a clockwise motion. Either way, adding or subtracting twist can affect your gauge.
Working from the end in the middle of the ball will preserve the twist. It also allows your yarn to sit still and not roll around. It may be becoming clear what my opinion is. I like the center pull put up. To address the pros and cons, though, there are a number of accessories you can use to make which ever end you want to work with, work for you.
The simplest yarn bras come a variety pack with three sizes in three colors.
If want to use the inside pull out up, but you’re worried about the center of the ball collapsing, a yarn bra will be your best friend. You can read more about yarn bras here in Kate’s review guest blog. The gentle pressure of the yarn bra holds everything together and you can knot or crochet along in the confidence that nothing is going to fall apart on either end.
The big, four-armed thing hanging on the wall is a swift, which holds a hank of yarn while you wind it into a ball. the covered bowl below is perfect for keeping your yarn tidy and within reach. Isn’t it beautiful?
If you want to use the outside pull put up, you have two challenges. First, you have to let the ball roll around to compensate for the twisting motion the yarn makes as you pull it. This keep your yarn from getting over or under twisted as you work. Second, you have to keep your ball from rolling away out of reach, or around in the cat hair on the floor (not that I think you have cat hair on your floor!) or under the couch where you can’t reach it. The perfect solution is a yarn bowl. You can see some great yarn bowl ideas here. And, of course we have Francis Farley’s beautiful bowls here in the shop. A yarn bowl will contain the yarn where you can keep it tidy while still allowing the ball to twist freely.
So, opinions aside, which ever put up you like, inside pull or outside pull, a simple accessory can make or break your experience.