We’re gearing up for the 4th Annual Maine’s Fastest Knitter Race on Wednesday July 29, 2015 at the Maine Lobster Festival in Rockland, Maine. Hence, we have speed knitting on the mind. Can you imagine knitting 80, 90, 100 stitches a minute? With the increase in popularity of knitting races around the world, some knitters are polishing their needles, doing their warm up exercises and keeping training schedules. There are classes popping up with titles like Knitting For Speed and Efficiency or Need For Speed and YouTube and the blogosphere are filled with tutorials on how to use the science of ergonomics to increase your knitting speed. There has been a good-natured rivalry between the two fastest knitters in the world, Hazel Tindell and Miriam Tegels, for at least 10 years. Hazel Tindell has been knitting for as long as she can remember. As a teen, she knit and sold Fair Isle yokes. In 2002, Tindell qualified to participate in the World’s Fastest Knitter competition. She beat out her three other competitors by stitching 255 stitches in three minutes. https://youtu.be/GfRZnN2rL4Y Miriam Tegels always knew she was a quick knitter, and knit all through high school and continually since then. She practices her speed knitting frequently to keep her pace up, and won the record on August 26, 2006. Clocking 118 stitches in one minute, she holds the Guinness World Record for fastest knitter. https://youtu.be/aFi0nhA1uHU The two finally faced off in 2008 at a Minneapolis, Minnesota Knit Out event where Hazel handily beat Miriam, 262 to 243 over three minutes. There are good reasons to learn more efficient hand positions that ease fatigue and relaxation techniques that get you to unclench your pinkies (you pinky clenchers know who you are!). We should all take an interest in our hand health, but most people knit for relaxation or as a hobby and don’t think about ergonomics or efficiency. When we invite folks to join us at the race, they usually answer with a variation on, “Oh, no. I couldn’t. I’m not fast enough. I could never win. If you had a race for the world’s slowest knitter, I would probably win that.” So what does all this have to do with you, you ask? Well let me ask you something in return. Is there any other place in your knitting world where you can sit on a stage in front of a cheering, adoring crowd and ply your craft to thunderous applause? I thought not. Fast or slow, win or lose, the knitters on the stage at The Maine’s Fastest Knitter Race know that they are doing something special, something enviable, something admirable. Many of them come back year after year because it is fun to meet other knitter in a public place and collectively raise the profile of knitting for every one. Check out some photos from last year’s event here. If you live locally or are visiting Rockland, you can come and watch and cheer on your favorites, but arrive early if you want a seat, as there is usually standing room only. If you are ready to compete, drop by 18 School Street or call us at the shop 207-594-6060 to reserve you seat. You can also register online here or even show up by 4 p.m. on race day to join! I promise you that even if you think you are the worlds slowest knitter (and seriously you can’t all be the slowest!) your place is on that stage with us – the swift, the proud, the elite – who know that knitting is a superpower unlike any other. Ladies and gentlemen, start your engines. On your mark, get set… GO!
When I was 11 years old, my mom was knitting matching sweaters for my dad, my uncle and my two brothers for Christmas. They were beautiful Aran adventures and I was fascinated. Eventually they looked looked like this…
That’s my dad on the left in the traditional off white. My Uncle Mark is on the right in baby blue that brought out all the bluey-green oceanic highlights in his lovely Finn eyes. Those are my brothers, Michael on the right and Matthew on the left in bolder warmer orange and red. They were all thrilled to get their sweaters on Christmas morning. And no one noticed a thing.
See…I had a guilty secret. When Mum was working on Dad’s sweater, I had picked it up out of her basket and was looking at the rope cable on the side of the front panel that goes up to the shoulder. She had finished the armhole decreasing and was about 2 inches from finishing the front. When she saw me turning it around and poking at the yarn, she went wild. In a voice that will ring in the naughty girl corridors of my mind forever, she yelled, “PUT THAT DOWN! You’re going to drop my stitches! Do you have any idea how much work I’ve put into that…” and more in that same tone. Well. I put it down fast enough, and she thought no more about it. But I did.
About an hour later, Mum blithely went out shopping. As soon as I heard her car turn the corner, I was back in the knitting basket. I picked up that beautiful sweater and was poking at it again, trying to figure out how she had done it. When I heard the kitchen door open, I thought Mum must have forgotten something and come back to get it. Knowing she would be very cross indeed if she caught me with her sweater again after expressly telling me to leave it alone, I ditched the thing as quickly as I could and was innocently reading in the corner of the sofa when my brothers careened through the room on their was somewhere else. A narrow escape, and I went back to pick up the sweater.
That was when I saw the disaster. The exact disaster Mum had been afraid of. I had indeed dropped stitches. I had dropped eleven stitches, to be precise. They had run down several rows in the middle of that cable on the right shoulder.
At this point in my life I can acknowledge that we would all have gotten over it. Eventually. Probably. But at that moment my breath caught in my throat. My life flashed before my eyes. At that moment I was certain I was going to die. I was certain that my mother would end my life. Unless…
I’m not ashamed to admit that when my life was on the line, I thought briefly of framing one of my brothers. Trouble was, neither of them had ever shown the least interest in knitting. And I had already been caught messing with that sweater. There was no way Mum would believe the boys had had anything to do with it. My only option to save myself was to put those stitches back the way I had found them and vow to never touch yarn again.
There is a way, in moments of stress, when ones senses can be heightened and the ability to focus on the smallest details can become crystal clear. I had one of those moments. The world fell away and I saw only that off white wool and its serpentine path through the knitted work. Each stitch rose up as a cul de sac in the ongoing road from the cast on row, through the overpasses of the cables, the roundabouts of the honeycomb center panel, the cobbled surfaces of the purl stitch ground and the textured stitches rising like causeways. To this day, I visualize knitted fabric as a kind of intricate road map where everything goes in its proper direction to its destination. When I was able to see it that way, I was able to see how to reconstruct the parts of the path that I had destroyed. Using the tips of the needles, I picked up the stitches where they lay and pulled loops through loops, crossed stitch paths and lifted those columns back onto the needles in the proper order. The adrenaline burned the process into my memory more than any other knitting I have done since.
When all eleven stitches were reconstructed and back on the needles I was able to let my breath out and time seemed to flow around me again. I gave a few gentle tugs to even out the tension and carefully put the sweater back in the basket. I was again reading in the sofa corner when Mum arrived back home with a car load of groceries. In the next few hours, I was on tenter hooks waiting to see if she would be able to see the patch job. All through dinner and evening TV I was waiting for some repercussion. As I went to bed I was especially nervous; after we kids were in bed was prime knitting time for Mum. I went to sleep waiting for a shriek of discovery that never came.
On Christmas morning when Dad, Uncle Mark, Michael and Matthew tried on their new sweaters and posed for the picture above, I almost couldn’t watch for fear that some one would be able to tell what I had done. But, nope. As you can see, they are smilingly oblivious. And I bet you can’t see any mistake either.
About 30 years later, I was at Mum and Dad’s for Christmas again. I was knitting in the kitchen while Mum did something with the grandkids in the living room, and my sister asked my how I learned to pick up dropped stitches. As I finished telling her my story, I heard my mothers voice from the living room saying, “I TOLD YOU TO LEAVE THAT SWEATER ALONE!” This time, I was pretty sure she was not going to kill me. The statute of limitations has run out; that sweater is long gone. Besides, necessity is the mother of invention and that is how I learned to pick up dropped stitches…and cross cables, and much, much, more knitting arcana. So I laughed at her, and she admitted that she had never noticed, so I must have done a bang up job of it.
I’ve never again been afraid of knitting. I am the boss of my knitting thanks to my mother…sort of.
This is the Tulip Pattern from Barbara Walker’s A Treasury of Knitting Patterns.For those of you who are familiar with the collection, that’s the blue one or the first one. It’s on page 25 and is worked as follows:
Over a multiple of 3
Rows 1 and 3 (RS) – Knit
Rows 2 and 4 (WS) – Purl
Rows 5 and 7 – K1, * p1, k2; rep from *, end p1, k1.
Rows 6 and 8 – P1, *k1, ps; rep from *, end k1, p1.
Rows 9 and 11 – *P2, k1; rep from *.
Rows 10 and 12 – *P1, k2; rep from *.
And it looks like this:
It’s not super stretchy so it won’t nip in like straight up ribbing does, but has a combination of knit and purl stitches that makes it lie flat. It gives a bit of textural interest to an otherwise plain stockinette fabric, or is subtle enough not to draw too much attention on something more complex. It could also be used as an all over fabric. The example you’re looking at is still on the needles, but I’m thinking it will flatten out a bit with washing and blocking. All in all, a sweet edge treatment.